Stats for TATTF:
Scenes: 58
Pages: 261
Words: 78,627
Synopsis: Iffy
Scene-by-Scene Synopsis: Second Draft Complete
Milestone: 75% Done!
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HOME · BLOG · MEET ERICA · BOOKS · CONTEST · EXTRAS · CONTACT · FOR WRITERS · PRESS KIT · EN ESPANOL February 28, 2007Wednesday UpdateStats for TATTF: Scenes: 58 February 27, 2007Conference UpdateSo, as many of you know, I went to the Fun in the Sun conference down in Miami this weekend, along with three of my local chaptermates. We had a blast plotting on the car ride down and listening to speakers and going to events and drinking in the hotel bar and all the other fun stuff you do at conferences. Despite all that, I’d wager that two of the top 5 reasons people go to conferences include: (You knew there’d be a list, right?) So, without further ado, I’d like to share those two experiences with you. My experience with pitching I had two agent appointments, one with Agent ABC (Big Agency) and one with Agent XYZ (Even Bigger Agency). My chaptermates mostly met with different agents/editors than me, but one met with Agent ABC, who asked for a mailed partial, and one met with Agent XYZ who gave her a business card and also asked for a mailed partial. So then it was my turn. First off, Agent XYZ was just not that into me. The appointment coordinator brought me to her side while she was still talking to the previous person (the appointments were in one big room with agents and editors behind small folding tables) so I had to hover unobtrusively until they wrapped it up so I could have my turn. You only get a certain number of minutes, so the person before me was taking up half of *my* time. Neither of them bothered to say anything to me or even so much as make eye contact, so I was forced to stand there looking retarded until they finally cut it off and made their good-byes so I could sit down. The conversation went like this: Erica [holding out her hand]: Hi, I’m Erica. Nice to meet you. So there was that. My appointment with Agent ABC, on the other hand, went much better. Erica [holding out her hand]: Hi, I’m Erica. Nice to meet you. * TOUCHED is a completed, pitchable project featuring a “psychic” heroine. My big AH-HA! moment So, I went to a workshop by Cherry Adair about how to get your writing career in order, especially if you don’t yet have your Plan figured out. Among other sage pieces of advice, the single most helpful thing she said to me (well, okay, to everyone in the room) was to pick a genre and stick with it for at least 2-3 years. Give yourself a chance to get good at something before developing genre MPD (multiple personality disorder) which doesn’t help anyone, not the editor, not the agent, and definitely not yourself. Well. As anyone who knows me (or has been to my web site) can tell you, I have serious issues with genre MPD. The stuff I churn out isn’t complete dreck. I’ve had requested fulls (and positive rejection letters) and finaled in contests and all that happy jazz. But, if I would’ve been published in any of those things, I wouldn’t have been able to sell the others. Most agents do not do ALL genres. And NO editors do. If they’re looking for a new Regency-set Historical author, then that’s what they want. Not one that writes one Regency-set Historical, one contemporary Romantic Suspense, one Historical Mystery with Paranormal Elements, and one Screwball Romantic Comedy. (/erica clears throat and gives guilty smile) She said, figure out what you like to write, and then write it. Don’t look back. If, after 3 years of seriously pursuing a genre, you discover that you either hate it or suck at it, THEN consider switching to something else. But first give yourself that opportunity to shine. So, in response to her advice (or should I say warning?) I believe I’m going to stick with the RomCom angle for a while and see how that turns out for me. I’ll keep you posted… Your Turn! I’d love to hear about YOUR experience pitching editors and agents, and any Ah-ha! moments YOU’d like to share! February 26, 20074 Questions About WritingI started to post my answers to these questions in the comments section of Lacey Kaye’s blog, and then realized my “comment” would have a higher word count than her original post. So then I decided to post my answers here, since I’m too lazy today to think up a different blog post. =) Here goes: 1) Why did you decide to write romance novels? 2) Do you believe in Happily Ever After? 3) Who/what inspires you? 4) What is it about blogs, anyway? YOUR TURN. If you haven’t already answered these questions, feel free to answer them in the comments. If you have already answered them elsewhere, please post a link to your response! February 21, 2007Wednesday UpdateStats for TATTF: Scenes: 37 Pep Talk to Aspiring AuthorsSo, today my crit partners were throwing a pity party because the ratio of aspiring authors to acquiring editors is astronomical. I say, WHO CARES? What’s that got to do with me?! Actually, what I say is this: First, you cannot, repeat, CANNOT, think of writing (or any profession) from a statistical standpoint. Sure, there’s thousands (or even tens of thousands) of aspiring authors to every agent, and an even bigger discrepancy when compared to publishing houses. So? It’s not the lottery, where all tickets are created equal. Do you write a genre that sells? As a matter of fact, if you write Romance, you write a genre that sells 55% of all published fiction. Zow. So right there, your ticket is worth a lot more than ANY OTHER GENRE WRITER OUT THERE. Okay? With me? Now. Are you a member of a professional organization, and do you take advantage of the information/loops/etc of said organization? If so, once again, less than half aspiring authors do this. Maybe less than 1% if we count all the wannabes that “are going to write a book someday” but don’t have the courage to put pen to paper and get the party started. =) Do you study the craft by reading books/blogs/etc or taking workshops? If so, once again, you cannot BELIEVE the number of would-be authors that do not do this. Are you a member of a constructive, helpful critique group whose advice you both respect AND strive to implement whenever it improves the story? If so, Hades and Hermes, only a fraction of the professional aspiring authors out there can say yes to that! Do you know how hard it is to find that kind of support? And how hard it is to TAKE and ACT ON constructive criticism? If you’ve got both of that, you are WAY ahead of the curve! So now the piece of paper you’re holding looks less like a scratch off and more like Charlie Bucket’s golden ticket, my friend! The last three things consist of talent, which cannot be taught, but if you are getting requests and/or contest finals then you probably possess in spades, SKILL, which comes from practicing the craft and learning from experience, and PERSERVERANCE, which is 100% up to you. Had J.K. Rowling or Stephen King given up after the first 200 rejections, we wouldn’t have Harry Potter or Cujo today. Got me? So buck up, soldiers! You can and WILL! Go forth and write! February 19, 2007Indispensible? Or indulgence?On one of my loops, I received a link to Story Board Notepads as a plotting aid. They look cool (especially if you write screenplays, which I don’t) but I’m not sure how translatable they are to novel writing. Unless the point (for a novelist) is less of having a thumbnail sketch and more of thinking of your story in terms of scenes? February 17, 2007Fake Book CoversSo is it cool to design your own fake book covers? Or is it unutterably dorky? I ask, not to point my finger and laugh at anyone else, but because I went ahead and whipped some up today. I saw the idea on an unpubbed friend’s web site and thought, “Hey, I could do that. It would be a way to add color and interest to a web page that has no need for generic photography.” (Or something along those lines.) So you can see what I’m talking about, my fake book covers can be found here: February 15, 2007Ever have one of those days?I’m having one of those weeks. Up. Down. Up. Down. Down a little more. (Most of the downs have been in my personal life, so I won’t bore you with that here.) The ups included feedback from two published author critiques I’d won from a charity auction a while back, both of which were helpful, encouraging, and complimentary. The next down came when my CPs were trying to help me with a seemingly innocuous plot flub in my story and the whole thing unraveled before my eyes. Needless to say, I’m pretty discouraged, especially after the “high” of getting compliments on the parts that DID work. I’ve tried so hard not to go a day without writing, no matter what depressing things were piling upon me in my “real” life recently, but now I just feel like, “Why?” I love to write, so it’s not that, but I kind of prefer to write scenes that have at least a 50/50 chance of staying in the story. Kind of loses the excitement when you’re pretty sure before you even bother writing the scenes that typing anything won’t amount to much more than exercise for your fingers. Writing’s easy. Being a successful writer is hard. February 14, 2007Wednesday UpdateStats for TATTF: Scenes: 29 February 10, 2007Accountability & ConsequencesSo, today before my local chapter meeting (which had an awesome villain themed workshop by Karen Rose) I met my local CPs [critique partners] for breakfast and to discuss the craft. During my CP meeting, we discovered that all 3 of us had fallen off the writing wagon at some point during the month, and so we dreamt up a system of accountability and consequences:
So, we’re only 3 days into it, but so far all 3 of us have leapt back on the writing wagon. (We all cackled with evil pleasure at the thought of doing dramatic interpretations of each other’s WIPs.)
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